12/18/2022 0 Comments The ghost and mrs muirParadoxically, the deceased Daniel is more of a flesh-and-blood personality than all the living people in the cast. The revelation of his marriage is sprung without sufficient logic, and Lucy’s pain doesn’t come across.īlasting through thin segments about Lucy’s son, Cyril (Paul Denniston), who becomes a priggish priest, and daughter, Anna (Katharine McPhee), an aspiring actress, is the tall, towering captain. This subplot sails in too early and is resolved by the conclusion of the first act, robbing the story of subsequent dramatic force.īailey is properly spirited in a rousing song, “She’s a Damn Fine Wench,” although his part is underwritten, and you can’t imagine why Lucy falls in love with him. But a major impediment to sustained suspense is the character of Miles (Kevin Bailey), a smooth, devious dilettante who attempts to seduce Lucy and nearly succeeds until she learns he’s married. Playing Lucy’s devoted servant Martha, Brooks Almy applies a brightly acerbic edge to Mellon’s wittiest lines, and Doug Carfrae excels as an opportunistic book publisher. These two bossy biddies, amusing at first, are too non-threatening to make an impact and become caricatures that slow down the action. Sparks don’t fly, however, since the two have minimal chemistry, and the tale digresses into pallid conversations with Lucy’s young children and conflicts with fussy, critical Eva (Kate Fuglei) and Helen (Harmony Goodman), her late husband’s sisters, who want to take Lucy’s son away and raise him. She resists being ordered around, and they squabble. Muir meets Daniel (Barbour) and discovers he wants her to purchase the cottage and eventually turn it into a home for retired sea captains. Most of these entertaining ghostly tricks come early, and the show would benefit if more of them were integrated throughout the story.Īs in the movie, Mrs. Sound designers William Hutson and DeTurk establish the mood through creaking sounds, and Steven Young sets the theater strikingly ablaze with streaks of lightning. She also reacts with realistic shock to some of the production’s special effects: a chair racing rapidly across the floor, a book flying off a shelf. Muir With Special Ghost Appearances.” Still, Lynne Wintersteller as Lucy (the Gene Tierney part) radiates class and charm doing one of Scott DeTurk and Bill Francoeur’s most lilting songs, “Vision,” and gives her character depth by suggesting loneliness and the past frustration of a loveless marriage. Barbour appears so infrequently in act one that the production might well have been retitled “Mrs.
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